Voice Faculty
Barbara Clark, Professor of Voice
Doctor Clark is a celebrated voice teacher whose students are currently singing with many young artist programs across the country, including Merola, Seattle Opera, Portland Opera, St. Louis Opera, Wolftrap, Glimmerglass, Central City, Arizona Opera, Opera Saratoga, Chautauqua, Music Academy of the West, and Tanglewood. Ms. Clark's students consistently place in the district and regional finals of the Metropolitan Opera National Council Auditions. Her professional students perform nationally and internationally, including students in seven different Broadway productions. Internationally, Ms. Clark has taught at the Opera Theater of Lucca, CCM’s Spoleto Festival in Italy, and The Vianden Festival in Luxembourg.
Doctor Clark taught for nine years at the University of Cincinnati College-Conservatory of Music (CCM) and is currently an Associate Professor of Voice at the Shepherd School of Music at Rice University. Along with her love for teaching, Ms. Clark enjoys an active career as a recitalist and guest clinician.
Doctor Clark is a celebrated voice teacher whose students are currently singing with many young artist programs across the country, including Merola, Seattle Opera, Portland Opera, St. Louis Opera, Wolftrap, Glimmerglass, Central City, Arizona Opera, Opera Saratoga, Chautauqua, Music Academy of the West, and Tanglewood. Ms. Clark's students consistently place in the district and regional finals of the Metropolitan Opera National Council Auditions. Her professional students perform nationally and internationally, including students in seven different Broadway productions. Internationally, Ms. Clark has taught at the Opera Theater of Lucca, CCM’s Spoleto Festival in Italy, and The Vianden Festival in Luxembourg.
Doctor Clark taught for nine years at the University of Cincinnati College-Conservatory of Music (CCM) and is currently an Associate Professor of Voice at the Shepherd School of Music at Rice University. Along with her love for teaching, Ms. Clark enjoys an active career as a recitalist and guest clinician.
Christopher Michel, Professor of Voice
Lyric baritone, Christopher Michel, is a a tenured faculty member at Sam Houson State University. His students’ professional engagements include Houston Grand Opera, Glimmerglass Festival, Sarasota Opera and Opera in the Heights, Lone Star Lyric Opera, Syracuse Opera and Des Moines Metro Opera. In the last ten years, he has had over 25 finalists in the TEXOMA Regional Competition of the National Association of Teachers of Singing. In 2014, Professor Michel had two students invited to sing in the highly competitive National Opera Association Aria Competition, which was held in New York City. Professor Michel’s students have pursued graduate studies at such prestigious institutions such as Cincinnati Conservatory of Music, Manhattan School of Music, University of Tennessee, University of Houston, University of Alabama and Baylor University.
A highly regarded performer in opera, oratorio, orchestral concerts, and art song, Christopher has appeared on the operatic and concert stages throughout Alabama, Florida, Virginia, Ohio, Texas, Arkansas, Mississippi, and Indiana.
Lyric baritone, Christopher Michel, is a a tenured faculty member at Sam Houson State University. His students’ professional engagements include Houston Grand Opera, Glimmerglass Festival, Sarasota Opera and Opera in the Heights, Lone Star Lyric Opera, Syracuse Opera and Des Moines Metro Opera. In the last ten years, he has had over 25 finalists in the TEXOMA Regional Competition of the National Association of Teachers of Singing. In 2014, Professor Michel had two students invited to sing in the highly competitive National Opera Association Aria Competition, which was held in New York City. Professor Michel’s students have pursued graduate studies at such prestigious institutions such as Cincinnati Conservatory of Music, Manhattan School of Music, University of Tennessee, University of Houston, University of Alabama and Baylor University.
A highly regarded performer in opera, oratorio, orchestral concerts, and art song, Christopher has appeared on the operatic and concert stages throughout Alabama, Florida, Virginia, Ohio, Texas, Arkansas, Mississippi, and Indiana.
Coaching faculty
Dean Williamson, Vocal Coach
Dean Williamson, currently music director of Nashville Opera, is widely known throughout the United States for his perceptive and commanding conducting. His versatile career in standard and contemporary repertoire has earned the conductor worldwide acclaim. As a co-founder and music director of the Seattle Opera Young Artists Program he led all of the program’s productions until 2007. From 2007 until 2010 he was artistic director of Opera Cleveland. His productions there garnered critical praise in publications such as Opera News, Opernwelt, and Opera Now. He has conducted at many regional companies, including Seattle Opera, Minnesota Opera, Opera Colorado, Arizona Opera, Wolf Trap Opera, Opera Theatre of St. Louis, Lyric Opera of Boston, San Francisco Opera/Merola, Chautauqua Opera, Des Moines Metro Opera, and Manitoba Opera. Upcoming projects include the NY premiere of Catan’s Florencia en el Amazonas in his debut with New York City Opera, the world premiere of Paterson’s 3 Way in Nashville and BAM, La Cenerentola in Arizona, Cipullo’s Glory Denied and the release of 2 new studio opera recordings by Carly Simon and Michael Nyman in Nashville.
Dean Williamson, currently music director of Nashville Opera, is widely known throughout the United States for his perceptive and commanding conducting. His versatile career in standard and contemporary repertoire has earned the conductor worldwide acclaim. As a co-founder and music director of the Seattle Opera Young Artists Program he led all of the program’s productions until 2007. From 2007 until 2010 he was artistic director of Opera Cleveland. His productions there garnered critical praise in publications such as Opera News, Opernwelt, and Opera Now. He has conducted at many regional companies, including Seattle Opera, Minnesota Opera, Opera Colorado, Arizona Opera, Wolf Trap Opera, Opera Theatre of St. Louis, Lyric Opera of Boston, San Francisco Opera/Merola, Chautauqua Opera, Des Moines Metro Opera, and Manitoba Opera. Upcoming projects include the NY premiere of Catan’s Florencia en el Amazonas in his debut with New York City Opera, the world premiere of Paterson’s 3 Way in Nashville and BAM, La Cenerentola in Arizona, Cipullo’s Glory Denied and the release of 2 new studio opera recordings by Carly Simon and Michael Nyman in Nashville.
Bernard McDonald, Vocal Coach
Upcoming engagements as conductor include Carmen (Opera Kelowna, British Columbia) and La Bohème (Mobile Opera, Alabama). Recent engagements include La Bohème, Die Zauberflöte, Le Nozze di Figaro (Opera Kelowna), Suor Angelica and Gianni Schicchi (Mobile Opera), The Merry Widow, The Magic Flute, Montemezzi’s L’incantesimo (US staged première), Gianni Schicchi, and Le Nozze di Figaro (Opera Theater of Pittsburgh); Cavalli’s Ormindo (Pittsburgh Opera); Don Giovanni and La Cenerentola (Bay View Music Festival, Michigan); Così fan tutte at the Royal Scottish Academy of Music and Drama (RSAMD) in Glasgow; and Bizet’s Le docteur Miracle and La tragédie de Carmen (for the Dutch National Opera Academy) in Amsterdam and The Hague.
His professional training at the Merola Program of the San Francisco Opera led directly to an invitation to join the music staff of the New York City Opera. He was subsequently Head of Music and Chorus Master at the Florida Grand Opera in Miami. As Chorus Master at Glyndebourne, he prepared over twenty-five productions to great critical acclaim for a host of internationally renowned conductors: highlights include Idomeneo with Sir Simon Rattle, Die Zauberflöte with Sir Charles Mackerras and Otello with Vladimir Jurowski.
Bernard McDonald is the Larsen Chair of Opera and an Associate Professor of Music at Simpson College.
Upcoming engagements as conductor include Carmen (Opera Kelowna, British Columbia) and La Bohème (Mobile Opera, Alabama). Recent engagements include La Bohème, Die Zauberflöte, Le Nozze di Figaro (Opera Kelowna), Suor Angelica and Gianni Schicchi (Mobile Opera), The Merry Widow, The Magic Flute, Montemezzi’s L’incantesimo (US staged première), Gianni Schicchi, and Le Nozze di Figaro (Opera Theater of Pittsburgh); Cavalli’s Ormindo (Pittsburgh Opera); Don Giovanni and La Cenerentola (Bay View Music Festival, Michigan); Così fan tutte at the Royal Scottish Academy of Music and Drama (RSAMD) in Glasgow; and Bizet’s Le docteur Miracle and La tragédie de Carmen (for the Dutch National Opera Academy) in Amsterdam and The Hague.
His professional training at the Merola Program of the San Francisco Opera led directly to an invitation to join the music staff of the New York City Opera. He was subsequently Head of Music and Chorus Master at the Florida Grand Opera in Miami. As Chorus Master at Glyndebourne, he prepared over twenty-five productions to great critical acclaim for a host of internationally renowned conductors: highlights include Idomeneo with Sir Simon Rattle, Die Zauberflöte with Sir Charles Mackerras and Otello with Vladimir Jurowski.
Bernard McDonald is the Larsen Chair of Opera and an Associate Professor of Music at Simpson College.
Acting Faculty
Benjamin Wayne Smith
Artistic Director and Acting Coach
Stage Director Benjamin Wayne Smith has led twenty new productions since 2000, ranging from Pergolesi’s La serva padrona to Benjamin Britten’s The Turn of the Screw. Ben has directed for Seattle Opera's Young Artist Program, Tacoma Opera, Asheville Lyric Opera, Opera Theatre of Pittsburgh, The Intermountain Opera Association, the Young Artist Program at Pittsburgh Opera, the University of Cincinnati/CCM, Baldwin Wallace University and The Opera Theater of Lucca, Italy. In 2010, Ben finished his tenure as the Resident Assistant Director at Seattle Opera where he worked on eleven productions over two years. He continues to work as an assistant director for Washington National Opera at The Kennedy Center where we was honored to work on two productions with Placido Domingo. Other assisting credits include Cincinnati Opera, Michigan Opera Theater, Pittsburgh Opera and the Opera Theatre of Pittsburgh. Ben is on faculty at the University of Memphis where he produces and directs the operas and teaches acting.
Artistic Director and Acting Coach
Stage Director Benjamin Wayne Smith has led twenty new productions since 2000, ranging from Pergolesi’s La serva padrona to Benjamin Britten’s The Turn of the Screw. Ben has directed for Seattle Opera's Young Artist Program, Tacoma Opera, Asheville Lyric Opera, Opera Theatre of Pittsburgh, The Intermountain Opera Association, the Young Artist Program at Pittsburgh Opera, the University of Cincinnati/CCM, Baldwin Wallace University and The Opera Theater of Lucca, Italy. In 2010, Ben finished his tenure as the Resident Assistant Director at Seattle Opera where he worked on eleven productions over two years. He continues to work as an assistant director for Washington National Opera at The Kennedy Center where we was honored to work on two productions with Placido Domingo. Other assisting credits include Cincinnati Opera, Michigan Opera Theater, Pittsburgh Opera and the Opera Theatre of Pittsburgh. Ben is on faculty at the University of Memphis where he produces and directs the operas and teaches acting.
Our faculty is subject to change without notice.
